Friday 6 November in Belfast

Belfast times. Last refreshed Fri 20:33.

Showing Film only.

Friday 6 November 6 listings

Morning 1

11:00

dubh Film Lab: Introduction to Super 8 Film Workshop

An introduction to all aspects of Super 8 film shooting and developing for beginners. Participants: 6 max Level: Beginners The course will be divided into three parts: shooting as a group with a Super 8 camera, processing the film in the darkroom, and viewing the film at the end of the day. This course is aimed at professional visual artists who would like to experiment with photo-chemical moving image in the context of their practice and looks at types of cameras and film stock, covers the essentials for film shooting in different conditions, using the developing equipment and chemistry, and preparing the film for projection and/or digital transfer. All materials are included, you can bring ideas for a 1-minute film and some props, costumes, or objects you would like to include in your film. Previous experience with analogue materials or darkroom photography is an advantage, but not a requirement. Helena Gouveia Monteiro is a visual artist and experimental filmmaker. At Fire Station Artists’ Studios she manages the Media Studio and the recently launched Dubh Film Lab. She manages Dubh Film Lab in Dublin, and is a member of L’Abominable/Navire Argo and Filmwerkplaats. Her new film Laoi Shuibhne|Sweeney’s Lay is currently in production with the support of the film project award from the Arts Council of Ireland. To book, please email boxoffice@belfastfilmfestival.org with a short description of your art practice and a link to your work. DUBH Film Lab at Fire Station Artists’ Studios is a space dedicated to photo-chemical moving image, artists and filmmakers with the facilities and technical knowledge to process their own analogue materials and offering training, equipment, and supplies at affordable rates. Currently the only film lab in Ireland, DUBH allows artists to process their still (35mm and medium format) and moving images (standard 8, super 8, and 16mm), rent cameras and equipment, and receive training through a yearly programme of courses, masterclasses, and workshops. Dubh is part of the Film Labs, a network connecting cooperative and artist-run film labs worldwide. About Fire Station Artists’ Studios: https://www.firestation.ie/about/

Afternoon 1

15:00

Wild Horse Nine

Martin McDonagh returns with another tragi-comic two-hander with a razor-sharp script and outstanding performances from a stellar cast. After the success of The Banshees of Inisherin , McDonagh has turned his attention to Chile in the 1970s, where two CIA men discuss morality and mortality during a dispatch to the vanishingly remote and metaphorically rich Easter Island. With John Malkovich as the ailing Chris, mentor to Sam Rockwell’s Lee, and idiosyncratic support from Steve Buscemi, Parker Posey and Tom Waits, the film is an accidental allegory for present-day politics with trademark bittersweet notes, sweeping landscapes and strategically-placed horses.

Tonight 4

17:45

The Story of Documentary Film: The 1980s

After premiering his widely anticipated longform documentary at various international festivals (including Docs Ireland) earlier this year, Mark Cousins excitingly returns to Belfast Film Festival with another chapter. Following on from his hugely influential, 15-hour The Story of Film: An Odyssey, and the subsequent, A Story of Children and Film, and Women Make Film: A New Road Movie Through Cinema, Cousins continues his exploration of cinematic landscapes with this new journey through documentary history. Weaving through time, culture and place with his singular, inspirational passion for the medium, the chapter looks at documentary-making of the 1980s during the fall of the Soviet regime and the rise of the music documentary. Not to be missed! This screening will be followed by a Q&A with Director Mark Cousins and filmmaker Brian Henry Martin.
20:00

Mississippi Records Presents: A People’s History of Music

Presented by Moving On Music We are delighted to welcome Mississippi Records founder Eric Isaacson for a visual and sonic presentation telling a story of global music scenes that both struggled and endeavoured throughout periods of authoritarianism. It’s a timely and compelling interweaving of people, place, past and present, and making music in troubling times. It’s the story of powerful interests trying to control music and how people fight back. This event explores folk art champions and the exploitative nature of the mainstream music industry – all while drawing on Eric’s comical and colourful personal experiences of the fascist creep. For seventeen years Mississippi Records operated with zero internet presence, released no digital music, and ran a cash only record store in Portland, Oregon. It became a true cult label – selling over one million records and helping (re)discover such artists as Michael Hurley, Emahoy Tsegué-Maryam Guèbrou, and The Space Lady. Come along and keep on keepin’ on.
20:45

Wild Horse Nine

Martin McDonagh returns with another tragi-comic two-hander with a razor-sharp script and outstanding performances from a stellar cast. After the success of The Banshees of Inisherin , McDonagh has turned his attention to Chile in the 1970s, where two CIA men discuss morality and mortality during a dispatch to the vanishingly remote and metaphorically rich Easter Island. With John Malkovich as the ailing Chris, mentor to Sam Rockwell’s Lee, and idiosyncratic support from Steve Buscemi, Parker Posey and Tom Waits, the film is an accidental allegory for present-day politics with trademark bittersweet notes, sweeping landscapes and strategically-placed horses.
21:00

The Peril at Pincer Point

Crustaceans… Corman… Cardioid microphones, The Peril at Pincer Point has it all! Plucky young Jim Baitte is sound-man on a hotly anticipated horror film. However his easy-going ways have put him behind on work and directly in the firing line. He gets one more chance to save his job: travel to the spectral isle of Pincer Point and capture the best sound ever recorded. This seemingly simple task is suddenly muddied by myths and missing persons, and Jim finds himself caught up in prophecies and plots beyond his comprehension. Why are there crabs everywhere? Could the legend of the ghost pirates be true? Is this what Coppola felt like in Hearts of Darkness? With shades of Bait & Blow-Up & maybe even Barton Fink, Pincer Point is a loving tribute to the importance of making art. From reveling in the means of its gloriously handmade production, to the task at hand of Jim’s oddity-ridden odyssey, that of listening to people and connecting with them, AI could never make a film like The Peril at Pincer Point. Take our sound advice and see it.