Wednesday 18 November in Belfast

Belfast times. Last refreshed Sat 11:03.

Showing Film only.

Wednesday 18 November 6 listings

Afternoon 2

15:00

Ken Russell's The Devils

Censored for more than half a century, Ken Russell’s visionary masterpiece returns to the big screen fully restored in 4K and cut to Russell’s direction - the first publicly released version of the film as intended by the filmmaker. An enduring masterpiece of cinema starring Oliver Reed and Vanessa Redgrave, Ken Russell’s The Devils is a prescient epic of obsession and corruption, and a defining work of art from a seminal filmmaker. Inspired by the true story of 17th-century priest Urbain Grandier, accused of bewitching a convent of nuns, the film lays bare the collusion of church and state through a searing vision of religious persecution, collective hysteria and institutional corruption. Unveiled at the 79th Cannes Film Festival, the definitive version arrives 55 years after the film’s original release. In addition to powerhouse performances from Reed and Redgrave, Ken Russell’s The Devils showcases the stunning work of artists at the peak of their craft. Warning: The linked trailer contains flashing images which may affect viewers who are susceptible to photosensitive epilepsy.
15:15

Outburst: Edhi Alice: Take

Offering an important East Asian perspective on queerness, Edhi Alice: Take is a visually stunning, thoughtful and uncompromising documentary, exploring the trans experience and allyship in South Korea. Director Ilrhan Kim interrogates how documentaries about trans communities are made: the creative decisions, relationships, and ethical questions involved. The subject of the documentary is Edhi, who works as a counsellor for LGBTQ+ teens in Seoul, and has decided to undertake gender reassignment surgery. Edhi’s story intertwines with that of Alice, the lighting technician on the film crew and an older trans woman, who is preoccupied with challenging popular stereotypes about female and male bodies. The film explores queer and trans existence not as an abstract question of identity but as something continually negotiated through everyday life, performance, work, relationships, visibility, and self-representation. This screening includes a recorded introduction by director Il-rhan Kim. Kim is a member of PINKS, a queer feminist media group based in South Korea that has been highlighting the voices of marginalised communities on topics of gender diversity, social movements, and labour rights since 2004.
Not Rated; English subtitlesTickets & info

Tonight 4

17:45

Fjord

This searching, Palme d’Or-winning moral dilemma pits preaching conservative Christian parents against a holier-than-thou liberal system. An evangelical family move to a small Norwegian town. Their seemingly placid adjustment is shattered when suspicions around their children’s wellbeing place the parents under severe scrutiny. Cristian Mungiu ( 4 Months, 3 Weeks and 2 Days ) masterfully crafts an ambivalent social drama that raises fundamental questions and avoids easy answers, asking us to ponder how unbiased our own sense of empathy is.
15; English subtitlesTickets & info
20:15

Primetime

Robert Pattinson continues his run of astonishing 2026 performances as he portrays the To Catch a Predator presenter Chris Hansen in this vivid and propulsive drama. It’s 2006 and despite its unconventional methods, To Catch a Predator is a US TV hit. When executives decide to move the show to a primetime slot, Hansen and his production team must up the ante to keep their audience, no matter the cost. Merritt Wever and Skyler Gisondo also impress in this absorbing narrative feature debut from documentary filmmaker Lance Oppenheim ( You Can See Everything ).
20:50

Wild Horse Nine

Martin McDonagh returns with another tragi-comic two-hander with a razor-sharp script and outstanding performances from a stellar cast. After the success of The Banshees of Inisherin , McDonagh has turned his attention to Chile in the 1970s, where two CIA men discuss morality and mortality during a dispatch to the vanishingly remote and metaphorically rich Easter Island. With John Malkovich as the ailing Chris, mentor to Sam Rockwell’s Lee, and idiosyncratic support from Steve Buscemi, Parker Posey and Tom Waits, the film is an accidental allegory for present-day politics with trademark bittersweet notes, sweeping landscapes and strategically-placed horses.